Okay - I like the beginnings of the expressionistic perspective in 48, but I like the slightly more 'organic' architecture in 50... great to see you drilling into this house a bit more, but remember it's a MASSIVE house too, so maybe think about exaggeration as a tool? I see no reason either why you shouldn't use silhouettes - for example, gather together a number of examples of suitable houses - turn them into silhouettes and then jigsaw them together in Photoshop until you start creating some really striking, really evocative silhouettes - and then, when you've got the mass and the scale, you can begin to work into the silhouettes to put in more of the details.
Hey George,
ReplyDeleteOkay - I like the beginnings of the expressionistic perspective in 48, but I like the slightly more 'organic' architecture in 50... great to see you drilling into this house a bit more, but remember it's a MASSIVE house too, so maybe think about exaggeration as a tool? I see no reason either why you shouldn't use silhouettes - for example, gather together a number of examples of suitable houses - turn them into silhouettes and then jigsaw them together in Photoshop until you start creating some really striking, really evocative silhouettes - and then, when you've got the mass and the scale, you can begin to work into the silhouettes to put in more of the details.